Erikson, influenced by Freud, envisioned eight existence phases as conflicts between contrasting energies. Babies oscillate between confidence and suspicion, young children between enterprise and remorse. Depicting stage six—early adulthood encompassing twenties and thirties—the film presented animated figures wrestling metaphorically with connection and solitude. They communicated through masks; they danced while exchanging limbs. Stage seven, mature adulthood spanning approximately forty to sixty-five, contrasts generativity—creating enduring societal impacts through creativity, offspring, or occupation—with inertia. Chronologically, I inhabited stage six, with certain aspects resonating. Yet no phase felt entirely applicable.
这个赛道的残酷性不容小觑。星空源储虽开局顺利，但丝毫不敢松懈。
，这一点在chrome中也有详细论述
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